|Please take your seats and be silent. The Church of Radiohead is now in session.|
This is my second article of six exploring "liturgical" worship and whether or not it works in my culture, that is "middle American Christianity". Our foundational question is: Is the liturgy too elitist and academic for "regular" or mainstream Christians who fall into the general Evangelical, Pentecostal, or Protestant camps? Here is a link to the first article.
Before I move on to more specific reasons why I believe the liturgy "doesn't work" in my cultural context I will now attempt to further understand my situation through something of a parable.
THE LITURGY AND RADIOHEAD
Imagine that for some reason I decided to move back to my home town of Peoria, Illinois in order to introduce everyone there to the band Radiohead. Lets say that for some reason NO ONE there listens to them, at least among the people I grew up with. Sure, there were some people listening to Radiohead when I was younger, but these were some strange folks with "out there" tastes in music, nothing like me and the pop radio-loving kids in my circle of friends. Also imagine that I too am a musician and songwriter and have the hopes of getting my music heard and becoming an established artist in Peoria. I have high hopes in moving back. I want to introduce my city to a band that I love as well as to my own music that I've been hard at work on for a number of years.
Becoming a Radiohead evangelist was no accident. They are landmark band to anyone who knows anything about music of the last 20 years. They redefined what a "rock" band can and should sound like. They exploded our conceptions of popular music, opening up our minds to new and strange worlds of sound. They made weird normal. To someone like me, Radiohead is a band that everyone should know about and come to own at least an album or two of. And so my goal is to get as many people in Peoria to love their music as possible. However, after moving back I soon come to realize all people want to listen to are either the "classic" pop/rock/country hits of past decades or the synthesizer/dance hits popular today. There simply seems to be no room in their listening tastes for a boundary pushing electronic tinged rock band. It is like Radiohead has certain elements of music that everyone likes, but they are all the wrong elements for the people in my city. Similarly, when I find myself performing gigs around the city all people want are classic rock and pop country cover bands. They certainly don't want introspective singer-songwriter ballads or Radiohead cover songs.
I moved back to Peoria under the assumption that people would be hungry for the music of Radiohead and original singer-songwriters such as myself. I thought "This is something they'll latch onto as soon as they find out about it. This is the music that will come to define them—they just don't know about it yet!" I had no intention of introducing them to "difficult" art-rock, or to music that was off-putting for being either too abstract, too political, or too dissonant. Sure, Radiohead's music is challenging, but they have so many amazing songs surely people will be able to look past any "difficulty" for the pure enjoyment of the songs themselves. I actually and truly thought the people I knew (and loved!) would like this music with their heart, soul, mind, and strength.
But no, I made a faulty assumption. There was no built-in market for the kind of "music" I loved the most, the kind of "music" I thought people would be drawn to if they only knew about it. To be sure, Radiohead is one of the most renowned and beloved bands of the last 20 years, and yet, for many they remain that "weird band" only music snobs like. They are a band for elitists.
But here's the thing: anybody who knows anything about music knows that Radiohead are not all that weird and avant garde—they merely edge their way up to weirdness, dabbling their foot in here and there. For the most part they are simply more artistically minded mainstream pop/rock/folk/electronica music. And so I am left perplexed and discouraged. Since moving back to Peoria I turned hardly anyone on to my favorite band and no one seems to like my own music either. I thought it would all turn out so differently. It just had to. It made so much sense in my mind...
I moved back home hoping to share something I passionately loved but instead ended up being the off-putting snob that no one understands. I wanted to open up people to new musical worlds, to gather them around some of the greatest music I've ever heard and yet I still find myself (mostly) alone.
I realize now my approach was condescending. I assumed the people of Peoria didn't already have music they loved, music that was meaningful to them, music that changed their lives. To me the music of Radiohead was accessible to all (especially since it costs the same as any other music) and yet the response I received was as if I've opened a high end restaurant with eclectic food choices and exorbitant prices accessible to only a few. Now, after realizing I was somewhat insulting and after many seasons of trying to "turn people on" to my band and my music, I've mostly given up on the proselytizing. Sure, it's still about all I listen to and I'm still writing my own music, but I don't push it on anybody anymore. I kind of assume it's not for them and I mostly stick to myself in my small social circle where we know Radiohead is the best band of our generation, though we don't talk like that to those on the outside.
It's funny, but there are a number of rather militant Radiohead fans in our city, but they are in musical scenes that I don't really associate with. They are all but belligerent to anyone who says any band other than Radiohead are the best band. There is an off-putting frenzy in their fandom and it makes me sad how they look down on anyone who doesn't have the exact same opinion as them on music. I can't help but think they live in a small musical bubble, especially when there are so many people in our area walking around still never having even heard of Radiohead...
I feel a lot of tension (and sadness) in my parable, for to those of us who have been taught about "liturgical worship" we know it is undyingly, passionately accessible to all. It is the epitome of "public domain", a way of worshipping God that anyone and everyone should incorporate into their lives as disciples of Jesus. My assumption was that it would be instantly palatable to the "general public" of Christians, but instead people seem to treat the liturgy like a high end restaurant. "Oh no," they say, "that's not for me...I don't go to that kind of church..." And then they begin to offer their list(s) as to why exactly a "liturgical" church is not for them.
Other Articles in this series:
Why People Don't Go To "Liturgical" Churches Part 1: Liturgy's Superiority Complex
Why People Don't Go To Liturgical Churches Part 2: It's Un-American
How the Liturgy can speak to modern people (if we allow it to)
How the Church Calendar Can Speak to Modern People—Turning our holidays into holy-days
What Exactly Is a Normal Christian Anyway? (and yes, my answer sounds elitist)
Related Articles on Radiohead
The Thom Yorke School of Leading Worship
Coming late to the party #3: Radiohead's OK Computer
Episode 14: Radiohead Fan Expectations With Ryan Hansen
Related Articles on Worship and Liturgy
Will it Endure? The Search For a Canon of Contemporary Worship Music
I Don't Care If the Church Will Sing It In 2065
Worship in Full Spectrum: An Introduction
Hymnals = Vinyl: The Case For and Against Hymnals in Worship
Confession: I Am An Irrelevant Worship Pastor
4 Things I Learned About Worship By Being on a Podcast
Worship Music Should Be Radically Contemporary